Group of 5 posters. He was also very interested in handsetting type and printing. Wolfgang Weingart (b. 1941, Salem Valley. ( Log Out / Change ), You are commenting using your Twitter account. About; Blog; Forms; Mens; Tribe; Member Only Content. 1974. This new style is not far off, but still different from the already well known swiss style. I never intended to create a 'style'. Weingart is known to have a rebellious mind-set and has liked to push the limits of what is considered as ‘the norm’ and from an early stage he broke the typographic rules by freeing letters from their restricting design grids. The text also became textured with the development of transparent film and the increase in collage in graphic design, a style that is very prominent in Wolfgang’s work as himself mounted halftone films to form collages for many of his posters. Wolfgang Weingart is a German-born, internationally acclaimed graphic designer, typographer and teacher. Four years later, they returned to Germany. The practitioners of this new style, also called Swiss punk designers, disagreed with the less is more and minimalist philosophy, by ascribing that typography can play a more expressive role and that this increase in expression aimed to improve communication. This gave the artist the freedom they wanted or needed to express themselves. In April 1954 he moved to Portugal and lived in Lisbon for 2 years, here he enrolled in the German School of Lisbon and his artistic inclination was noticed by his teacher who gave him private lessons to help nurture his artistic talent. He is credited with being the father of Swiss Punk or the New Wave style. He is certainly known for his departure from traditional Swiss typography, having once said, “I took Swiss Typography as my starting point, but then I blew it apart, never forcing any style on my students”. Late in 1947 Weingart started primary school, it was around this time, after manipulating a piece of wire to form images such as the outlines of a house, a motorbike and a landscape, that he became aware of his interest in the area of visual design. Wolfgang Weingart was born in 1941 in Germany. I will explore the differences of Wolfgang Weingarts work and the International Swiss Typography style. "I took 'Swiss Typography' as my starting point, but then I blew it apart, never forcing any style upon my students. Having learnt the basis of Swiss Design, he developed this movement called the New Wave or Swiss Punk Style. Wolfgang Weingart is an internationally recognized figure for his iconic body of work in the field of graphic designing and typography. Designer and instructor Wolfgang Weingart is recognized for his typographic explorations and teaching at the Schule für Gestaltung Basel, and who, through the work of his students, created a more experimental and expressive approach to typography that was influential around the world. Largely self-taught as a designer, since 1968 he has been a tutor at the Schule für Gestaltung Basel, Switzerland, where he concentrates on experimental typography. These two principles are achieved by using asymmetric layouts, grids, sans-serif typefaces, left-flushes and simple but effective photography. He learned to manipulate the letter he had chosen; bending it, twisting it, recreating it, deconstructing it and working with the space within the pages themselves. Weingart's work is a benchmark in design and typography. He never forced or influenced a particular style on his students, but they misinterpreted his teaching as one and called it the “Weingart style.”. Wolfgang Weingart was credited as the developer of the New-Punk style. Wolfgang Weingart is an internationally known graphic designer and typographer who is regarded as the “enfant terrible” of modern Swiss typography. Weingart believed that the development of the Swiss Typography was becoming stagnant as it was sterile and anonymous. In spring 1963, I visited Armin Hofmann and Emil Ruder in Basel, and Hofmann asked me to teach at his school. His work is characterized as Swiss Typography. Dan Friedman (left) and April Greiman (right) are two artists inspired by the New Wave Style. Wolfgang stated that during this moment that he, “could not foresee the potential, nor the creative freedom that awaited the typesetter with our twenty-six movable letters and their affiliated signs.”. By ignoring the grid structure, this meant that type could be placed centre, to the left or the right, or be chaotic. Change ), You are commenting using your Facebook account. 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